These are the first two works for my graduation project which I consider finished. It is an ongoing series of work in which the only dogma is the choice and preparation of the canvas, namely, the 140x200 mm duvet sheet. The canvas is prepared with a thick layer of wall paint which makes the canvas inflexible. I afterwards crumble the canvas to give it the texture of dry skin. The container quality of the canvas allows me to see the painting as something not only containing a pictorial element but also an embodied element. In this way, the painting borders between the object and the picture, ultimately making this distinction irrelevant.